Raga-ness of Ragas

Raga-ness of Ragas

Ragas Beyond the Grammar

This book is a systematic and contemporary exploration of the uniquely Indian phenomenon of raga, which forms the foundation of the musical culture of India. It attempts to extend the scope of the enquiry to cover several facets of ragas examining the manner in which they participate in the cultural process.

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SKU 9788124608357 Categories Ever Green Shelf Life, Performing Arts & Aesthetics Brand: D.K. Printworld

About This Book

Details

ISBN:9788124608357
Year Of Publication:2015
Edition:1st edition
Pages:xlvi, 414p.
Bibliographic Details:Bibliography; Index
Language:English
Binding:Hardcover
Publisher: Decent Books
Size: 23
Weight: 800

Overview

This book is a systematic and contemporary exploration of the uniquely Indian phenomenon of raga, which forms the foundation of the musical culture of India.
Maestros speak with total conviction of a raga as having a personality. A raga must therefore be viewed not only as the governing authority of musical performance, but also as an archetype pregnant with cultural meaning. The exploration of raga-ness, therefore, can begin with the grammatical coordinates of ragas, but cannot stop there. This book attempts to extend the scope of the enquiry to cover several other facets of ragas examining the manner in which they participate in the cultural process. As such, this book provides valuable insights to scholars, researchers, connoisseurs, as well as performing musicians.
Written by an author of established credentials as a musician, researcher and writer with three acclaimed works to his credit, this book explores the subject through conceptual essays in Part I, and case studies of fifty-one ragas in Part II. The case studies of ragas are supported with references to authoritative texts and reviews of recordings by recent and contemporary maestros.
Written in the author’s lucid and masterly style, this book makes complex musicological concepts accessible to non-academic readers, and contributes significantly to widening the understanding of the role of ragas in the musical culture.

Meet the Author

Deepak S. Raja

Deepak S. Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the SHRUTI magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/ Mumbai). In 1999, he co-edited the Indian Musicological Society's publication titled Perspectives on Dhrupad. His first book: Hindustani Music -- A Tradition in Transition, was published in 2005. His second book, Khayal Vocalism -- Continuity Within Change, was published in 2009. In 2009, he was granted a Senior Research Fellowship by the Ministry of Culture, Government of India. He also runs a respected blog on Hindustani music: http://swaratala.blogspot.com. Deepak Raja is a sitar and surbahar player of the Etawah Gharana, trained by Shri Pulin Deb Burman, and Pandit Arvind Parikh. He studies Khayal under Vidushi Dhondutai Kulkarni of the Jaipur-Atrauli Gharana. The author took an honours degree in Humanities from Delhi University, a master's degree in Business Administration from the Indian Institute of Management, Ahmedabad, and a Post-Graduate Diploma in Advertising Administration from the Watford College of Technology in the UK. He has occupied important positions in the media industry, including Editor of Business India, and Secretary General of the Indian Newspaper Society.