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    Cultural Ties between India and the Caravan Cities of Silk Road

Cultural Ties between India and the Caravan Cities of Silk Road

During Classical Period as Reflected in Art

This book delves into the classical period of Indian history – through art, culture and sculptures – when contacts among India, Eastern Central Asia and China were at a flourishing phase. It underscores the spread of Buddhism through many regions – the Tarim Basin, Mongolia, Dunhuang and China.

Original price was: ₹6,000.00.Current price is: ₹5,400.00.

About This Book

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“This book delves into the classical period of Indian history – through art, culture and sculptures – when contacts among India, Eastern Central Asia and China were at a flourishing phase. The study underscores the spread of Buddhism through many regions – the Tarim Basin, Mongolia, Dunhuang and China. These places on the Silk Road, served as a crucial passage for the transference and upsurge of Buddhism. The process of dissemination of a world religion, like Buddhism, was intricate and this book addresses the subject from the perspective of art, thus each and every chapter takes a look into Buddhist objects such as painting, sculpture and also religion and philosophy. The deities that have been discussed are carefully studied, and their nature, iconography and description from the point of view of the various Indian Buddhist religious texts and the artistic creations from India and several other countries in Asia are well covered. As one makes a careful study of the entire area which is rich in history, culture and art, one cannot help but appreciating the diversity of the depictions of Buddhist art.
This book, highly illustrated, consisting of evocative images across the region under study, should be of great interest to scholars/students who are interested in this subject and also in the history of the Silk Road. They will find this study as a useful contribution for the study of Buddhist art in Central Asia.”

Meet the Author

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    Dr Sampa Biswas has done her Ph.D. in Art History from Kala Bhawan, Santiniketan, West Bengal. She is the author of scholarly papers and studies on Japanese Art, Central Asia, including the book Indian Influence on the Art of Japan (2010). At present she is teaching Art of China and Japan, Buddhist Art of Central Asia, and Art of South-East Asia in the Department of History of Art, National Museum Institute, New Delhi, as a visiting scholar.

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